Abstract
The Cultural Political Work of Climate Change
The Readership of Climate Fiction: Who reads it?
As if potential futures, once colourless and hazy, were now vivid and clear. - p.482
Given that many works of climate fiction are set decades or centuries in the future, but explicitly draw connections to our actions in the present, it is not surprising that some readers reported reconfiguring their temporal perception of environmental processes or becoming aware of the 'slow violence' of climate change for the first time. (ref)
A reader who read Clara Hume's Back to the Garden noted that: "the characters made me see how climate change could affect me on a far more personal level - one in relation to my family and friends - which I had never really pondered before" (p.486) and a public health administrator from Virginia, America stated that "I thought about climate change as primarily an environmental issue, but after reading this book, I began to see that it has so many other dimensions that I had not considered. Changes in climate have the potential to change the very fabric of society."
By explicitly framing familiar experiences such as anxiety, depression, loss, grief, and regret as related to climate change, these novels provided many readers with a vivid sense of the granular and quotidian impacts of unimaginably large-scale changes.
R: This is an excellent point. Stories of normal peoples lives (or more convential story telling, with the backdrop of climate change is far more powerful, as it gives the reader a pathway into imagining the future
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Does these negative emotions make for effective environmental persuasion? or just good storytelling
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when climate change is framed as an encroaching disaster that can only be addressed by loss, cost, and sacrifice, it creates a wish to avoid the topic. - psychologist Per Espen Stoknes